EarthQuaker Devices Price and Review (EQDBITC EQDSEA2, EQDDTSR EQDARPA vs EQDSPAT)

December 11, 2018


EQDBITC EarthQuaker Devices Bit Commander Monophonic Analog Guitar Synthesizer Effects Pedal

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The EarthQuaker Devices Bit Commander pedal is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of olde tyme synths.

EQDSEA2 EarthQuaker Devices Sea Machine V2 Chorus Effects Pedal

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The Sea Machine is a chorus pedal with ultimate control over parameters rarely seen in a chorus. A hybrid of digital and analog circuitry with a slightly extended delay time allows it to really stand out and shimmer. The heart of the Sea Machine is a short digital delay line, which features controls for Animation, Dimension and Depth. The Animation allows control over the delay time, Dimension adjusts the amount of spatial regeneration and the Depth adjust the mix of the modulated wet signal against the dry analog signal. The LFO section of the Sea Machine is comprised of Rate, Intensity and Shape. The Rate adjusts the speed of the oscillator, the Intensity adjusts how much the LFO modulates the delayed signal and the Shape transforms the wave from a soft triangle to a hard square wave. We also included a small LED which shows the speed and shape of the LFO, even in bypass. With this mix of standard and unique controls, everything from subtle warble, classic Leslie, seasick pitch bends to strangled alien sounds, stunted arpeggiations and many more far out sounds are on tap. The Sea Machine also was designed to work well following fuzz, distortion or overdrive without getting muddy, reducing volume or breaking up. When engaged, the transparent buffer leaves the all-analog dry signal unaltered and crystal clear. The Sea Machine is true bypass and made by human hands with the highest quality parts in shimmering Akron, Ohio. The Rate adjusts the speed of the oscillator, the Intensity adjusts how much the LFO modulates the delayed signal and the Shape transforms the wave from a soft triangle to a hard square wave.

EQDDTSR EarthQuaker Devices Disaster Transport SR Dual Delay Effects Pedal with Reverb & Modulation

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The Disaster Transport SR is a dual delay with modulation and reverb and designed to create an intense wash of lo-fi swirling tape styled echo. While it may look intimidating at first glance, its actually pretty easy to navigate. The top row of controls are for delay A and the bottom row of controls are for delay B. Delay A is a 600ms delay with modulation and delay B is a 300ms delay with reverb. Both delays can be run separately, in parallel, in series or in series/parallel. To take it one step further, there are also expression controls for the repeats on delay A as well as bleeding delay A into delay B. The switching was designed so each delay can be used individually or in tandem with both true bypass or trails. In addition to being used as a straight delay, straight reverb, rhythmic delay, modulated delay and old school tape-style echo, the Disaster Transport SR can also be used to create a wide variety of wild sounds ranging from warped records, clanging flange, smooth chorus, echoed out squalls and various other-worldly effects that will blow your mind, man. If you are a fan of old school tape delay and crazy lo-fi sounds, you will get hours of enjoyment every time you plug into the Disaster Transport Sr.Hand made one at a time in sunny Akron, Ohio USA.

EQDARPA EarthQuaker Devices Arpanoid Polyphonic Pitch Arpeggiator Effects Pedal

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The first dedicated compact polyphonic pitch arpeggiator effect pedal for electrical guitar! What does the Arpanoid do? The Arpanoid takes whatever you play and transforms it into an adjustable ascending or descending scale. It features 8 intuitive and expandable modes and will work on complex chords as well as single notes in any key. The Arpanoid has an all analog dry signal, all digital wet signal and true bypass switching.

CLOVENHOOFV2 EarthQuaker Devices Cloven Hoof V2 Dual Fuzz Pedal

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The Cloven Hoof is the Hoofs evil twin. It looks a lot like the Hoof, only more, um . . . Cloven. We kept the tightness and clarity you loved about the Hoof, along with the wide range of fuzz sounds, and threw the rest away. NOS Germanium transistors? Nope! In their place, we installed a set of four specially selected Silicon transistors for cleaner cleans, higher gain, improved temperature stability, and a grittier, grinder, nastier fuzz tone with over 4x the gain of the original Hoof. We also replaced key resistors with NOS Carbon Comp components to sprinkle a little bit of vintage flavor into the Cloven Hoofs searing fuzz fury. Its like they always say, In with the old, out with the new. The Tone and Shift controls remain intact, only now theyre re-voiced for a smoother sweep, and more precise control over the Cloven Hoofs beefy low-end. Speaking of low-end, have you heard this thing on bass? Wow. Try the Cloven Hoof on a bass guitar. Seriously. Trust us. You can still cut or boost the mids, and theres still a metric ton of output on tap, just do us a favor, and for the love of all thats Cloven, play this pedal with a bass guitar. The Cloven Hoof is the perfect solution for those of you who wish the Hoof had more low-end, higher gain, and was just a little bit Hoofier. Each and every Cloven Hoof is one-hundred percent analog, true bypass, and built by qualified cowboys, cowgirls, and rodeo clowns in the organic, grass-fed, farm-to-table cattle ranch of Akron, Ohio, USA, yall.

EQDSPAT EarthQuaker Devices Spatial Delivery Voltage Controlled Envelope Filter Effects Pedal

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The Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. It has 3 modes- Up Sweep, Down Sweep and Sample and Hold. With Range, Resonance and Filter controls you can get super emphasized filter sweeps in the Up and Down modes. The Range, in combination with pick attack, controls the sensitivity and reaction time of the envelope and thus the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. Reign in the controls a bit, add your favorite overdrive/fuzz after the Spatial Delivery and you’ve got a real nice resonant, cut-through-the-mix lead tone. Crank the controls back up and you’re a neo-bedroom rock god. In the Sample and Hold mode the filter is controlled by random voltage and the Range controls the speed. Add a sub octave into the mix (before or after) and you’ve just created a deep fried space droid computer freak-out. The filter can be cross faded between high pass (counter clockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice. We recommend placing the Spatial Delivery first in your signal chain. However, due to its envelope control, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further. Each Spatial Delivery is hand made bit by damn bit in silver studded Akron Ohio.

EQDAFTE EarthQuaker Devices Afterneath Reverberation Effects Pedal

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The Afterneath is an otherworldly reverberation machine that uses a swarm of short delays to create wild and cavernous reverbs and scattered, short rhythmic delays with bizarre characteristics. The reverb created is beyond massive and goes well beyond the territory of most reverb pedals. The controls allow you to stretch, smudge, swell and even self-oscillate into messy ambient washes of sound. The Length control adjusts the decay of the reverb; anything from shorter hall through endless plate style reverbs can be achieved. The Reflect knob controls the regeneration, basically feeding the output back through to create an even deeper otherworldly dreamscape. The Drag control lets you pull the reverb through time by slowing down or speeding up the reverb. The Diffuse knob adds control over spread of the reverb ranging from identifiable attack to a wash of smooth reverb. The Dampen control adjusts the tone of the reverb, both stinging bright tones and warmer swell. The end result is an ethereal, ambient wash that goes from hall to an infinite glitched-out orchestra pit warming up in a canyon at the bottom of another canyon inside a well. The Afterneath is true bypass with an all digital reverb engine, all analog dry signal path and hand made one at a time by real living human beans in dimly lit Akron, Ohio.

EQDAFTE EarthQuaker Devices Afterneath Reverberation Effects Pedal

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The Organizer is a polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique “Guitorgan”. It has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters. It is simple to dial in and tracks chords as well as single notes perfectly all over the neck on both guitar and bass. Not only can the Organizer be used on strings, it has been widely used on everything from vocals and synths to horns and drums If it makes sound, the Organizer can handle it! The Organizer uses a mix of analog and DSP circuitry with true bypass switching and an all analog dry signal path. It is made by hand, one at a time in dirty Akron, Ohio. The controls Up: Level control for the octave up. Down: Level control for the octave down. Choir: This control takes a mix of the octave up and octave down setting and regenerates it. The end result is an additional 2 octaves up, 2 octaves down and direct signal with a slight delay that adds a “church organ” like feel. This control only works if the octave up and octave down are in use. Direct: Level control for the analog dry signal. Tone: Rolls off the high end as you dial it counter-clockwise. Lag: Delay control for the wet signal. Full counter-clockwise is minimal delay, delay time increases as it rotates clockwise.

EQDORGA EarthQuaker Devices Organizer Polyphonic Organ Emulator Effects Pedal

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The Depths from EarthQuaker Devices is a take on the classic optical vibe circuit. It creates a lush, phasing pulse which delivers a three-dimensional swirling sound. The Depths has been optimized to work well with all types of instrument, pickup types and to play well with dirt. With its Voice and Throb controls, The Depths can achieve sounds from thin and subtle to warm and deep and everything in between.

EQDDEPT EarthQuaker Devices The Depths Optical Vibe Circuit Effects Pedal

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The Acapulco Gold is a dirt-simple power amp distortion device that’s based on the vibe of a cranked Sunn Model T. You know what’s awesome? Vintage Sunn Amplifiers. You know what else is awesome? Simplicity. One button, one knob. How loud would you like it? Just move the knob. This is the spirit of rock and roll. Quit turning knobs and play that guitar like you mean it.

ACAPULCOV2 EarthQuaker Devices Acapulco Gold V2 Power Amp Distortion Effects Pedal

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The Grand Orbiter is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has three way toggle switch to select between the ranges of modulation: Rate 1 is slow sweep mode, Rate 2 kills the LFO and allows you to use the Grand Orbiter as a fixed resonant filter and Rate 3 is fast sweep mode. The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal’s tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the “Phase/Vibrato” switch. When in “Vibrato” mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100 analog, true bypass and built by entirely by hand in beachy Akron, Ohio.

EQDGOV2 EarthQuaker Devices Grand Orbiter V2 Phase Machine Effects Pedal

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The Hummingbird is a choppy, saw tooth tremolo modeled on the vintage Repeat Percussion unit and similar to those found in old Valco and Vox amplifiers. It is capable of producing everything from classic 50s style shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Using the toggle to switch between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the Rate and Depth controls will unlock a whole new world of amplitude modulation at your feet. The Rate is also expression pedal accessible to allow instant changes on the fly. Using an expression pedal also opens up the possibility of true random amplitude modulation! In addition to the modulation, the Hummingbird has plenty of clean gain on-tap allowing you to either boost or cut the signal using the level control. If the Depth is turned to zero, the Hummingbird will become a JFET clean boost! The Hummingbird is all-analog, true bypass and handmade one at a time on a gilded cloud in Akron, Ohio.

EQDHBV3 EarthQuaker Devices Hummingbird V3 Repeat Percussion Tremolo Effects Pedal

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A complete tone enhancement tool, the Tone Job is designed around a stereo preamp to cover as much frequency range as possible. What does this mean for you, the user? It means it can handle a wide variety of frequencies from electrical guitars, bass guitar, synthesizer machines and just about anything else you can plug in.

EQDTOJO EarthQuaker Devices Tone Job EQ and Booster Effects Pedal

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The Arrows is an all-discrete tone sculpting preamp booster. It was designed with the intention of adding an additional channel of gain to all your dirt pedals as well as brightening up neck pickups. It boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Its simple interface is no nonsense; a single control that will either boost or cut you signal. Use the Arrows to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz. All analog, true bypass and handmade one at a time in the weird pit of Akron, Ohio.

EQDARRO EarthQuaker Devices Arrows Preamp Booster Effects Pedal

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